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The Met: Live in HD at Fort Lewis College

By Indiana Reed
Special to The PREVIEW

The Met: Live in HD continues its screening of live performances in high definition in the Vallecito Room of the Fort Lewis College Student Union on Saturday, Jan. 5, at 10 a.m. with a rare opportunity to enjoy Hector Berlioz’s vast epic, “Les Troyens” (The Trojans), last performed at The Met in 2003. The Met: Live in HD is presented locally by the Community Concert Hall at Fort Lewis College.

Berlioz’s opera combines the large-scale tragedies of the Trojan War with the human emotions of its central characters: the hero Aeneas, the mythological founder of ancient Rome; the prophetess Cassandra; and Dido, the lovelorn Queen of Carthage. Met Principal Conductor Fabio Luisi leads the demanding work for the first time at the Met — in his third consecutive Live in HD transmission of the season. Les Troyens is based on Virgil’s Aeneid.

American tenor Bryan Hymel will make his Met debut with the marathon role of Aeneas, the hero who flees the destruction of Troy for a new set of trials in the North African kingdom of Carthage. In June 2012, Hymel sang Aeneas in a new production of “Les Troyens” at the Royal Opera, Covent Garden.

Susan Graham, of Roswell, N.M., (Octavian in 2009’s “Der Rosenkavalier,” Iphigénie in 2011’s “Iphigénie en Tauride”) makes a house role debut as Dido, the queen who offers Aeneas protection — and her heart. Deborah Voigt (Minnie in “La Fanciulla del West” and Brunnhilde in last season’s “Ring” cycle) returns to the role of Cassandra, which she sang to critical acclaim at the Met in an earlier season.

The opera’s approximate run time is 5 hours, 30 minutes, including two intermissions and commentary/backstage interviews with Met hostess for the performance, mezzo-soprano Joyce DiDonato.

Writes Wilborn Hampton of the Huffington Post, “The score in ‘Les Troyens’ ranges from the majestic to the sublime. There are introspective solos, stirring ensembles, a passionate love duet, rousing choruses, and intricate orchestral passages. This revival is carried by splendid performances by Susan Graham as Dido and Deborah Voigt as Cassandra, along with the always excellent Met chorus and orchestra under the exacting and fast-paced conducting of Fabio Luisi.”

View a sampling of Susan Graham’s performance as Dido from “Les Troyens” at http://www.metoperafamily.org/metopera/liveinhd/LiveinHD.aspx.

Synopsis

“Les Troyens,” by Hector Berlioz.

Act I.

After ten years of siege, the Greeks have departed from Troy, leaving behind a giant wooden horse as an offering to Pallas Athena. Only the prophetess Cassandra, daughter of the Trojan king Priam, wonders about the significance of their enemies’ disappearance. In a vision, she has seen her dead brother Hector’s ghost walking the ramparts. She has tried to warn her father of impending disaster and now urges her fiancé, Coroebus, to flee the city, but neither man will listen to her. When Coroebus begs her to join the peace celebrations, she tells him that she foresees death for both of them.

The Trojans offer thanks to the gods. Hector’s widow Andromache brings her young son, the heir to the throne, before King Priam and Queen Hecuba. The warrior Aeneas arrives and reports that the priest Laocoön is dead. Suspecting the wooden horse to be some kind of a trick, Laocoön had thrown his spear at it and urged the crowd to set fire to it, when two giant sea serpents appeared and devoured him and his two sons. Priam and Aeneas order the horse to be brought into the city to beg pardon of Athena. Cassandra realizes that this will be the end of Troy.

Act II.

Aeneas is visited by the ghost of Hector, who tells him to escape the city. His destiny, he says, is to found a new empire that someday will rule the world. As the ghost disappears, Aeneas’s friend Panthus runs in with news that the Greek soldiers who emerged from the horse are destroying the city. Aeneas rushes off to lead the defense.

The Trojan women pray for deliverance from the invaders. Cassandra prophesizes that Aeneas and some of the Trojans will escape to Italy to build a city—a new Troy. Coroebus has fallen, and Cassandra prepares for her own death. She asks the women if they will submit to rape and enslavement. When Greek soldiers enter, the women collectively commit suicide. Aeneas and his men escape with the treasures of Troy.

Act III.

Carthage, North Africa. The people greet their queen, Dido. In the seven years since they fled their native Tyre following the murder of Dido’s husband, they have built a flourishing new kingdom. Dido’s sister Anna suggests that Carthage needs a king and assures her sister that she will love again. Visitors are announced who have narrowly escaped shipwreck in a recent storm—they are the remaining survivors of the Trojan army, with Aeneas among them. Dido welcomes them. When news arrives that the Numidian ruler, Iarbas, is about to attack Carthage, Aeneas identifies himself and offers to fight alongside the Carthaginians. Dido accepts, and Aeneas rallies the united forces of Carthage and Troy, entrusting his son, Ascanius, to the queen’s care.

Act IV.

Aeneas has returned victorious to Carthage. During a royal hunt, he and Dido seek shelter from a storm in a cave. They discover their love for each other.

It is several months later. Narbal, the queen’s adviser, is worried that since Dido fell in love with Aeneas, she has been neglecting her duties. He fears that in welcoming the Trojan strangers, Carthage has invited its own doom. Dido enters with Aeneas and her court to watch an entertainment of singing and dancing. She asks Aeneas to tell her more about Troy’s last days. When he talks about Andromache, Hector’s widow, who married Pyrrhus, one of the enemy, Dido sees a parallel to her own situation. Alone, she and Aeneas again proclaim their love, as the god Mercury reminds Aeneas of his duty and destination—Italy.

Act V.

At night in the Trojan camp by the harbor, a young sailor sings a homesick ballad. Panthus and the Trojan captains are worried about omens and apparitions that remind them of their failure to move on. Aeneas enters, torn between his love for Dido and his duty to leave Carthage. He makes up his mind to see the queen one last time. But when the ghosts of Priam, Hector, Coroebus, and Cassandra appear, urging him to leave, he orders his men to set sail before sunrise. Dido appears. Aeneas swears that he loves her but must leave her. She curses him. As dawn breaks, the queen asks her sister to persuade Aeneas to stay, but the Trojan ships are already on their way out to sea. Furious, Dido orders a pyre built to burn his gifts and remembrances of their love. Now resolved to end her life, she bids farewell to Carthage and everything she held dear.

The pyre has been set up. Priests pray for Dido, who predicts that her fate will be remembered: a future Carthaginian general, Hannibal, will avenge her against Italy one day. Then she stabs herself with Aeneas’s sword. Dying, she has a vision of Carthage destroyed by eternal Rome. As the Roman Capitol is seen like a vision in the distance, the Carthaginians curse Aeneas and his descendants.

Future performances

The Met: Live in HD events deliver performances 100-percent live via satellite. Audiences throughout the world experience the production at the same time as the audience sitting in the Metropolitan Opera itself.

The Met: Live in HD series kicked off Oct. 13, 2012 and during the 2012-2013 season will feature a total of 12 live performances, including seven new Met productions. All productions will be screened in Durango on Saturday mornings.

Advance tickets for individual shows — $25 ($23 for seniors, students, children and Met members) — are available online at www.durangoconcerts.com or by calling 247-7657. All sales final.

This story was posted on January 3, 2013.